Home » The First “REJECTED” by Kazuhiko Torishima – ITmedia Interview on the Release of His Second Book

The First “REJECTED” by Kazuhiko Torishima – ITmedia Interview on the Release of His Second Book

by Lucas Almeida
The First "REJECTED" by Kazuhiko Torishima - ITmedia Interview on the Release of His Second Book

Kazuhiko Torishima: The Legendary Editor Behind Manga Success

Kazuhiko Torishima is a name synonymous with the world of manga, particularly known for his influential role as the chief editor of "Weekly Shonen Jump." His insights and methodologies have shaped the landscape of manga publishing, bringing to life some of the most beloved series, including "Dragon Ball," "One Piece," and "Naruto." Torishima’s career is marked by a unique approach to editing that prioritizes reader feedback and demands creativity from the artists he works with.

In his upcoming book, titled "Rejected: The ‘Hated’ Work Techniques of the Legendary Editor-in-Chief of Shonen Jump," set to be released on May 22, Torishima delves into the secrets behind his editorial success. This book provides an in-depth look at the principles that guided him throughout his career, including the story of how "Dragon Ball" was born and why he believes the anime adaptation of "Dr. Slump" did not meet expectations. Furthermore, it discusses the fascinating tale of how "One Piece" began its serialization journey.

One of the key themes in Torishima’s career has been the concept of rejection. Often referred to as a "demon editor," he is known for his unwavering stance on rejecting manuscripts that fail to capture interest, regardless of the circumstances. However, this approach did not come easily to him in the early days of his career. Understanding the moment he first used the term "rejected" reveals his growth as an editor and the pivotal experiences that shaped his philosophy.

The Early Days of Kazuhiko Torishima

Torishima joined Shueisha in 1976 and was quickly assigned to the editorial department of "Weekly Shonen Jump." This period was significant; the magazine was still in its infancy, having launched just eight years earlier. During his tenure, Torishima nurtured the talents of several well-known manga artists, including the legendary Akira Toriyama. His involvement extended beyond manga, as he was also deeply engaged in the anime and gaming sectors, promoting a multimedia approach within the "Jump" brand.

By 1996, he had ascended to the position of chief editor, where his influence began to resonate throughout the industry. Torishima’s work was not only limited to editorial tasks; he also took on roles that involved strategic decisions impacting all of Shueisha’s magazines, later becoming the president of Hakusensha.

The First Rejection: A Defining Moment

Reflecting on his career, Torishima recalls the first time he rejected a manuscript. It was during his work on "Doberman Deka," created by Shinji Hiramatsu, a writer he had inherited from a senior colleague. Although he admired Hiramatsu’s ability to depict action and drama, he noticed that the women’s faces in his drawings were indistinguishable from those of the male characters. This lack of distinction troubled him, as he felt it hindered the story’s potential.

Torishima’s realization came to a head when a new female character was introduced in "Doberman Deka." Despite being intended to be attractive, Hiramatsu’s portrayal continued the trend of uniformity. Upon reviewing the final manuscript, Torishima felt conflicted. Though time was short with a deadline looming, he decided to approach Hiramatsu directly rather than submit the flawed work.

In a candid conversation, Torishima expressed his concerns about the character’s design and provided visual references from a magazine featuring a rising actress. Hiramatsu took this feedback constructively, quickly sketching a new design that aligned with Torishima’s vision. The results were remarkable; the chapter featuring the redesigned character surged in reader popularity, moving from a mediocre ranking to the top tier.

The Impact of Reader Feedback

The success of "Doberman Deka" underscored the importance of reader feedback in manga publishing. Torishima recognized that understanding what resonates with the audience could significantly influence a series’s trajectory. The shift towards a more romantic comedy style in male-oriented magazines during that era was a pivotal trend. By adapting to these changes and incorporating reader preferences, "Jump" was able to refresh its content and attract a broader audience.

This approach also facilitated a quick response to reader surveys, ensuring that creators like Hiramatsu could iterate on their work based on direct reader input. The collaboration between the editor and the artist proved essential for the series’ success, as it allowed for real-time adjustments that kept the content relevant and engaging.

The Editor’s Role: Balance Between Critique and Creativity

Torishima’s experience reveals a crucial aspect of editorial work: the delicate balance between providing constructive criticism and fostering creativity. Effective communication between the editor and the artist is vital. Editors must be able to articulate their vision and expectations clearly while inspiring the artist to push their boundaries.

Torishima’s journey illustrates that the ability to say "no" is not merely about rejecting poor work; it is about guiding creators toward producing their best work. His early hesitation in rejecting the initial designs for "Doberman Deka" taught him the importance of trusting his instincts. He learned that voicing concerns can lead to transformative changes that benefit both the artist and the publication.

Lessons Learned and the Importance of Courage

Through his reflections, Torishima emphasizes the significance of courage in editorial decision-making. The willingness to speak up and provide honest feedback can lead to breakthroughs in creativity. He acknowledges that many editors may find it challenging to express their thoughts for fear of damaging relationships with creators. However, he believes that confronting issues head-on is essential for growth and success in the competitive world of manga.

Torishima’s experiences have cemented his belief that an editor’s words carry weight. This understanding has guided his approach, ensuring that he remains accountable for his decisions and the impact they have on the works he oversees.

The journey of Kazuhiko Torishima serves as an inspiring narrative for aspiring editors and artists alike. His commitment to excellence, adaptability to reader feedback, and willingness to challenge the status quo have left an indelible mark on the manga industry. As he prepares to share his insights through his upcoming book, the lessons he imparts will undoubtedly resonate with those looking to navigate the complex and rewarding world of manga publishing.

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